MANGA INK · SCREENTONE · SPEED LINES

AI Manga Style Brush Generator — Ink, Screentone, Panels

Name the ink you want — line weight, screentone, speed lines — and the panel comes back drawn that way, with your character still recognisable.

Full-body ink portrait of Giyu Tomioka from Demon Slayer, haori slipping off one shoulder, flat screentone in the coatFull-body ink portrait of Inosuke Hashibira from Demon Slayer, boar mask pushed up, two blades held lowFull-body ink portrait of Muzan Kibutsuji in a white suit and fedora, dense black shadow at his feetFull-body ink portrait of Hinata Hyuga from Naruto, hands clasped, long coat in screentoneFull-body ink portrait of Yoshikawa Yuki from Horimiya in a school uniform with a shoulder bag
✦Manga brush
Draw a manga panel of a swordsman mid-slash, ink and screentone
Manga ink panel of Tanjiro Kamado mid-slash with a water-breath arc, speed lines radiating from the blade
Tanjiro Kamado · Demon Slayer — Water-breath slash: speed lines radiate from the blade, and the checkered haori stays hard black and white.
Manga ink close-up of Nezuko Kamado with the bamboo muzzle, halftone under the chin
Nezuko Kamado · Demon Slayer — Close on the bamboo muzzle: halftone under the chin, hatching behind the ear, the eyes left as white.
Full-page manga ink impact panel of Kyojuro Rengoku mid flame breath, dense blacks and radial lines
Kyojuro Rengoku · Demon Slayer — Flame breath as a full-page impact: dense blacks, radial lines, screentone burning out behind him.
Manga ink action panel of Naruto Uzumaki dashing with a rasengan, speed lines converging on the palm
Naruto Uzumaki · Naruto — Rasengan dash: lines converge on the palm, dust streaks the ground, the tone stays off the face.
Manga ink portrait of Kakashi Hatake, one eye above the mask, cross-hatching on the flak jacket
Kakashi Hatake · Naruto — A third of the frame in solid black; cross-hatching does the flak jacket, halftone does the air behind.
Manga ink bust of Shinobu Kocho in the butterfly haori, halftone background
Shinobu Kocho · Demon Slayer — One hairline-thin stroke per lock, halftone only behind her — the face stays clear.
Manga ink classroom panel of Hori Kyouko leaning on a desk under an empty speech balloon
Hori Kyouko · Horimiya — A classroom panel with the balloon left empty — the lettering is yours to add, the screentone is not.
Manga ink panel of Miyamura Izumi sitting on a rooftop railing at dusk, halftone sky
Miyamura Izumi · Horimiya — Rooftop at dusk: halftone sky, thin ink on the piercings, one long shadow down the railing.
Before and after: Kakashi in colour cel shading above, the same character redrawn in black and white manga ink below
Kakashi · cel shade → manga ink — Same reference image, top and bottom. Only the brush changed: colour and cel shading out, line weight and screentone in.

Where the ink actually comes from

Neta Studio is a creation platform, not a filter app. The panel is drawn from the words you give it — ink weight, screentone density, speed-line direction, where the blacks land — and it can hold a reference character's face and outfit while the rendering changes underneath. Every result is a work in a world, so you can fork it, restyle it, or lay three of them into a page on the board.

  • Conventions, not filters — you type the ink rules: line weight, halftone on folds, speed lines along the motion, dense black at impact. Change one and only that part changes.
  • The face survives the restyle — add a character reference and the ink pass keeps the hair, scars and outfit; the colour and cel shading are what gets replaced.
  • Panels you can keep working on — each panel is a work in a world: fork it, redraw it in colour, or set three of them side by side to check the reading order.

Questions people ask before the first panel

Is this a brush pack I download?

No. There is no .abr file and nothing to install. You describe the brush in words — ink weight, screentone, speed lines — and the generator draws the panel with those rules. If you came for a Photoshop or Procreate brush, this is the wrong tool.

Will it keep my character's face?

With a reference, yes. Attach a character sheet, a cover or a screenshot and the ink pass keeps hair, scars and outfit while it swaps the rendering. Without one it invents a character from your description.

Can I get colour instead of black and white?

Yes. Drop “black and white” and “no colour” from the sentence. The line work stays; flat colour replaces the screentone. Black and white is the default because that is what reads as manga.

What can it draw besides single panels?

Character sheets, expression sets and multi-panel pages. Ask for a sheet and name the views; ask for a page and name the panel count and the reading order.

How do I get speed lines pointing the right way?

Say the direction: “radiating from the blade”, “horizontal, left to right”, “converging on the fist”. Speed lines on their own get you lines, not motion.

Why does the screentone look pasted on?

Because the sentence did not tie it to the form. “Screentone follows the folds” or “halftone under the chin” wraps it around the body; a bare “screentone” sits on top like wallpaper.

Can I put the panel into a real page?

Yes. Generate the panels you need and lay them out on a board next to each other. The empty speech balloon is left for your own lettering.

Does it hold up across a whole cast?

One panel per run keeps the style tight. For a cast, keep the same ink sentence and change only the character reference, so every panel shares one brush.

One sentence, one inked panel.

Describe the ink and the moment. It comes back in black and white, character intact, balloon empty and ready for your lettering.

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